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South Korean President Yoon Sik Yuet

2022-11-01| 发布者: 小店信息网| 查看: 135| 评论: 1|文章来源: 互联网

摘要: AttheCannesFilmFestivalin2022,Koreanfilmswereverypopular.Twofilmsof"TheResolutiontoBreakup"and"TheBroker"wontheawardsofbestdirectorandbestactor,becomi......
At the Cannes Film Festival in 2022, Korean films were very popular. Two films of "The Resolution to Break up" and "The Broker" won the awards of best director and best actor, becoming the biggest winners of the Cannes Film Festival. The main creative team was received and invited by South Korean President Yoon Sik Yuet.





In recent years, Korean films have been repeatedly edited at international film festivals. In particular, Parasite in 2019 swept Cannes and Oscars, creating the history of East Asia. In the western art film industry, Korean films can be said to have more and more influence, but in Hollywood, the best foreign language films, the best films and even the American entertainment film market have been recognized. The old directors keep pushing through the old to bring forth new ones, their creativity is still strong, and the new directors also keep growing to become international.





From the perspective of commercial films, Korean films are basically on the same level with Hollywood films in the domestic market, slightly better than Hollywood films. The proportion of box office per year and the number of viewers are slightly ahead. Korean films tend to account for more on the best selling movie list. This is also the process of wrestling. It is the efforts of Korean film generations, which finally consolidated their own advantages.





For the Chinese, Korean films also seem to be rising, and many famous films have received more comments on the Douban platform. Many people hate Chinese movies after a good work.



Although everything looks good, this does not mean that Korean films have gone global. From the box office, it is easy to see this cruel reality. The box office of Korean films mainly hovers between 97% at home and 3% - 5% abroad. From the perspective of overseas box office sources, Asia is the main source, especially Japan. Chinese Mainland rarely introduces Korean films, so the highest box office record is "Assassination" in 2015, with a box office of 44 million yuan. Since then, Korean films have been extinct for a long time. In 2021, Oh, Wenji was reintroduced, but the box office was only 2.9 million dollars. The Korean government has repeatedly discussed film cooperation with China, but no significant progress has been made. Hong Kong, Taiwan, Southeast Asia and other film markets are also small. Japan has become the largest overseas ticket warehouse for Korean films, but compared with Hollywood films, the proportion of box office is almost negligible.





Korean art films are rising, and art films themselves have few audiences in Korea. The main force of the industry is commercial films, but the influence of Korean commercial films in foreign countries is not as good as that of art films. Hollywood films dominate the whole commercial film market, and films from other countries have little influence.



From the perspective of the export of Korean cultural products, the export of Korean films is also very low. In 2020, South Korea's cultural industry exports exceeded 14 trillion won (11.92 billion US dollars), an increase of 16.3% over the same period last year. The cultural industries here include 11 categories, including publishing, comics, music, games, films, animation, television programs, advertisements, animation images, intellectual property rights, and content solutions. The game industry ranks first in all fields with an export volume of US $8.1935.6 billion, followed by animation images (US $771,581 million), television programs (US $669,279 million), intellectual property (US $66,919.99 million), and music (US $667,963 million), Film and television are almost negligible. From the perspective of China, many TV programs are introduced from South Korea, but few movies are introduced, which can be said to be borrowed from South Korea. Of course, the growth rate of Korean films is very high, 43%, which is also because of the low foundation.



In contrast, Korean films have not even achieved the influence of Hong Kong films. Hong Kong films have at least a vast market in the mainland. Southeast Asia and East Asia have also shaped the collective memory of a generation of film audiences. Some commercial stars and big directors like Bruce Lee, Jackie Chan, Jet Li, Tsui Hark, John Woo and Wong Kar wai have swept the world. After Hong Kong film directors went north, there were also 1 billion to 3 billion popular works, including Red Sea Action, Bomb Demolition Expert, Mermaid, Changjin Lake





In contrast, the influence of Korean stars and art directors is far from the brilliance of Hong Kong films and Hollywood. Of course, the quality of Korean films ranks high in East Asia, with a large production and high entertainment. If they can break through the mainland market, the box office will almost double. The problem is that once it breaks through the Chinese market, Korean films are no longer Korean films. Korean films without bloody violence, black gold politics and north-south conflict can only be third rate films, such as "Tricking Tiger Mountain". In addition, South Korea is not Hong Kong, and the political influence between countries has a great influence on films. Hong Kong directors do not hinder filming in the mainland, but Korean films are difficult to enter the mainland to film in the mainland because of their language barrier and different cultures.



At present, Hollywood movies are sweeping the world. The only way for Korean movies to go to the world is to carry Hollywood private cars. The Korean films represented by Oh, Wenji and Squid Game have successfully entered the global market through the international platform of Netflix, and achieved very excellent results. On the other hand, post production in South Korea, especially the special effects team and Fuhuadao music team, also entered the East Asian film market ahead of the directors, screenwriters, actors, photographers and other major creative teams. For example, many special effects of Chinese action films are created by South Korean teams.



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South Korea's technology and filmmakers are ready, and the road to internationalization is gradually clear. CJ, Lotte, new, showbox and other four major movie studios also have strong strength. If Sony of Japan later acquired Columbia to enter the Hollywood movie theater and use the Hollywood industry to go global, this may be the only way out. Of course, there are gains and losses. I may not speak Korean. On the one hand, it shows Korean culture, on the other hand, it cannot show Korean reality. There are many popular entertainment modes in Hollywood, such as science fiction and comics. Let's see how Korean filmmakers will choose.


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